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The Site The
Henrietta Marie met her fate on a shallow
coral reef called New Ground, some 55 kilometers
west of present-day Key West, Florida. For
nearly 300 years the wreck lay buried under sand
and coral growths in depths ranging from two to
ten meters of water. In 1972, the scattered
remains of the ship were discovered by American
shipwreck salver Melvin A. Fisher. Recognizing
the historical significance of the site, Fisher
contacted divers and archaeologists to survey
and excavate selected areas of the ship. Brief
surveys and partial excavations of the site were
conducted in 1972 and 1973, after which the site
lay untouched for over ten years. Archaeologist
David D. Moore joined Mel Fisher's team in 1983
and conducted excavation of the site for the
next three years.

Corey Malcom
discovers a set of pewter basins on the wreck
site.**
Mel Fisher
donated the majority of the artifacts he had
excavated from the Henrietta Marie to the
Mel Fisher Maritime Heritage Society, but the
site was not excavated again until 1991, when
the Society's archaeological team, led by Corey
Malcom conducted its own archaeological
investigation.

Mel Fisher
Maritime Heritage Society team member Wayne
Lusardi discovers a set of slave shackles.***
The Society
charted the site and excavated a number of
important artifacts including two of the ship's
iron cannons. Since 1988, the Society has
assumed the responsibility of identifying,
classifying and conserving the Henrietta
Marie artifact assemblage.

Archaeologist
David Moore investigates encrustation once
holding chain links.****
Conservation
After hundreds of
years, the remains of the ship become stabilized
in a marine environment. When these artifacts
are excavated, a great effort must go into their
readjustment to the aerobic world. Archaeologists
say, "Every month of field work requires a
year in the laboratory," and much of marine
archaeology consists of this phase of the
project.

Electrolytic
conservation of iron objects in the laboratory
of the Mel Fisher Maritime Heritage Society.
Many artifacts absorb chlorides (salts) from
seawater. When they are removed from the
underwater environment the oxygen in the air
will react with the chlorides to rapidly corrode
the object. To prevent the pieces from being
destroyed these chlorides must be removed. be
reversing the electrochemical action of the sea,
the salts are driven out and the artifact is
stabilized.*****

Corey Malcom
conserving the copper cook stove.******

Pewter Bottle
Each artifact is photographed and drawn as part
of the
total archaeological record.*******
Archival
Research
After 1492 in the
Americas, archaeology becomes historical
archaeology, which means that written documents
exist to support research. The artifacts and the
life and times of the Henrietta Marie
were extensively researched in archives in
London and Jamaica. This enabled archaeologists
to tie the recovered items directly to
historical people and events.

Shipping record
Barbados, 1698
William Deacon, who was the Henrietta Marie's
captain on her first slaving voyage, is
mentioned by name. It is this kind of record
that allows historians and archaeologists to
piece together the ship's history.********

Scale Weights
These weights were found on the Henrietta
Marie site, but had William Deacon's
initials scratched into the back of the smallest
one. Either they were accidentally left on board
after the first voyage or he allowed his weights
to be used again because he was an investor of
the ship.*********
In 1993, the
National Association of of black Scuba Divers
placed a monument on the site of the Henrietta
Marie, honoring those Africans who died and
those who survived the Middle Passage. Members
of the Association often visit the monument as a
pilgrimage.

Plaque placed on
the monument on the site of the Henrietta
Marie.**********

Oswald Sykes and
Michael Cottman at the monument on the site of
the Henrietta Marie.***********
*Mel Fisher Maritime Heritage Society
**Photo: Dylan Kibler
***Photo: Dylan Kibler
****Photo: Dylan Kibler
*****Photo: Dylan Kibler
******Photo: Dylan Kibler
*******Photo: Dylan Kibler
********Courtesy of the Public records Office,
Kew, England
*********Artist: David D. Moore
**********Photo: Dylan Kibler
***********Phot: Dylan Kibler
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